RED Monstro 8K VV (Battle Tested) Advanced Kit MiniMag 4.7" Touch V-Lock I/O

Description: Brain: RED Monstro 8K VV (Sealed Battle Tested) Monitor: RED 4.7" Touch Modules: MiniMag Side SSD Module V-Lock I/O Carbon Sidekick Media: 480GB MINIMAG MINI-MAG Reader w/ USB cable (USB-C Cable Upon Request) Power: (4x) BP-95W Dual Vmount Battery Charger Power Adaptor NP-F550 2 Batteries + Charger + Cord (for Neewer LCD) Lens & Lens Mount: MG PL 2.0 (EF, Nikon and Leica Mounts available upon request) RED Pro 18mm T/1.8 w/ PL Mount (Never used) AKS (All Kinds of Stuff): 19mm Base Plate Dovetail 19mm rods 7" in 4K Field LCD Monitor 7" Sunhood Noga Arm Shoulder Pad Top Cheese Plate Top Handle W/ Swat Rail Quick Release 18" HDMI Cable (Thin / Flexible) Custom Fitted Hard Case -- Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. Even though the GEMINI sensor has fewer photosites than its HELIUM and MONSTRO brethren, it has a cool trick up its sleeve. Using advanced circuitry designed for the aerospace industry, the GEMINI can switch native sensitivities. Practically speaking, it can operate in both normal and dimly lit scenarios without prematurely blown highlights or excessive noise, respectively. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems. REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher. 5K GEMINI S35 Sensor The GEMINI 5K Super35 sensor features dual sensitivity modes. Use Standard mode for conventional shooting scenarios. Switch to Low Light mode for increased sensitivity, but without the increased noise floor commonly found through signal manipulation. REDCODE RAW The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options. Note: Not all compression ratios are available at all resolutions and frame rates Apple ProRes and Avid DNx Formats For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing. DSMC2 Form Factor Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future. Color Management Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User-programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing REDCODE Options 3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps -- The DSMC2 MONSTRO 8K VV Sensor Upgrade increases the shooting potential of your BRAIN and upgrades your camera to DSMC2 MONSTRO. The MONSTRO 8K VV sensor enables you to shoot motion and stills in 8K 2.4:1 at up to 75 frames per second (fps) or 8K Full Format at 60 fps with a sensor size of 40.96 x 21.60mm. The warranty on your original BRAIN carries over to your new one. At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills. An evolutionary step beyond previous 8K sensors, the MONSTRO sensor has improved overall image quality including dynamic range and shadow detail and delivers the most advanced VFX solution - with unmatched creative flexibility, in-camera IPP2, blazing fast 300 MB/s data rates and simultaneous REDCODE and 4K Apple ProRes or Avid DNxHR recording. Note Your lens mount and OLPF will be upgraded with your camera to conform to 8K VV. -- We can customize the perfect camera package for you. Please message us if you wish to change anything in this kit. We are happy to add, remove, or sell items individually. We have almost every RED camera accessory and can tailor the perfect kit for your needs. FREE SHIPPING via UPS Ground included for all 48 contiguous states. Insurance not included unless specifically requested by buyer. We have lots of other gear available such as: ARRI Alexa Mini ARRI Amira ARRI Alexa Classic RED Monstro 8K VV RED Ranger Gemini 5k RED Gemini 5K RED Carbon Fiber Weapon 8K RED Epic-W Helium 8K RED Weapon Dragon 6K RED Scarlet W RED Raven RED Scarlet-X Mysterium-X RED Epic-X Dragon 6K Cooke S4/I Lens Set Cooke Anamorphic/I lens set Arri/Zeiss Ultra Primes Zeiss Standard Speeds Zeiss Super Speeds Arri/Fujinon Alura Zooms Leica R's RED Pro Primes/Zooms We BUY, SELL, TRADE or CONSIGN professional grade cinema cameras, lenses and accessories. The equipment we are interested in includes ARRI, RED, Sony, Canon, Zeiss, Cooke, Angenieux, Fujinon, Atlas, Kowa, Hawk, Todd AO, Elite, Lomo, vintage/anamorphic lenses, Oconnor, Sachtler, Teradek, SmallHD and other pro level brands. Please message if you or your company are looking to liquidate equipment in access of $10,000.

Price: 16995 USD

Location: Marina del Rey, California

End Time: 2023-10-17T15:47:36.000Z

Shipping Cost: 355.27 USD